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Make a statement in any room with this framed poster, printed on thick matte paper. The wood frames from renewable forests add an extra touch of class.
• Ayous wood .75″ (1.9 cm) thick frame from renewable forests
• Paper thickness: 10.3 mil (0.26 mm)
• Paper weight: 189 g/m²
• Lightweight
• Acrylite front protector
• Hanging hardware included
• Blank product components in the US sourced from Japan and the US
• Blank product components in the EU sourced from Japan and Latvia
How to attach hooks on 24″ × 36″ horizontal frames:
Place each of the mounting hooks 1 inch (2.5 cm) from frame corners when hanging horizontally.
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Framed poster -Kwame Ture Said No.1
If a white man wants to lynch me, that’s his problem. If he’s got the power to lynch me, that’s my problem. Racism is not a question of attitude; it’s a question of power. - Kwame Ture
This work is my abstract interpretation of a quote by Kwame Ture, born Stokely Carmichael, and his evolving philosophy on racism and civil rights.
Kwame Ture’s political philosophy emerged from the African American struggle for self‑determination and the broader pursuit of global Black liberation. As a leading figure in the Black Power movement, he advanced a vision grounded in community control, political autonomy, and the development of collective consciousness. Ture interpreted racial oppression in the United States as part of a wider system shaped by colonialism and imperialism, arguing that genuine freedom required international solidarity and structural transformation. His commitment to revolutionary socialist pan‑Africanism positioned the civil rights era as one stage within a larger, transnational movement for the liberation of African‑descended peoples.
The bullseye signals the persistent targeting produced by racialized systems, while the gas mask evokes the ongoing struggle for safety and survival. Wasps appear as spiritual guardians, echoing beliefs in parts of Africa where they represent protection, intuition, and divine warning. The bone earring honors ancestral presence and the enduring guidance of those who came before. A vintage image of a Black man smoking gestures toward the psychological weight carried during the civil rights era, when navigating society demanded both resilience and quiet release. The “Made in USA” barcode confronts the manufactured social status imposed on Black men, questioning how identity and value are constructed within the nation’s history.
Artwork Title: Kwame Ture Said No.1
Medium: Digital Collage
© Tamiko Greene. Artworks cannot be reproduced and distributed without permission.
